“See you next year!” a Portuguese fire warden says as he dismantles his control equipment at the end of the season. Humans and nature in southern Europe may be used to forest fires, but that does not change the facts: The ever more massive conflagrations are caused by climate change. We have long been living in the age of fire. 　　In the Portuguese interior, a forest fire has just devastated a large area. Wounded nature is silent, not a single bird is heard, only the wind that makes the charred tree trunks rustle. But the vegetation recovers astonishingly fast. Where all life seemed to be gone, greenery soon sprouts from the ruined trees. The residents of the affected region are engaged in the reconstruction with great respect for their natural environment. Because plants, too, are sentient creatures. In quiet, almost melancholic, but also hopeful images, the film pays tribute to the strength of the trees and illustrates how essential it would be for humanity to learn to live in harmony with nature again. 　　Annina Wettstein 　　源自：https://www.dok-leipzig.de/en/film/tale-three-flames/programm

“See you next year!” a Portuguese fire warden says as he dismantles his control equipment at the end of the season. Humans and nature in southern Europe may be used to forest fires, but that does not change the facts: The ever more massive conflagrations are caused by climate change. We have long been living in the age of fire. 　　In the Portuguese interior, a forest fire has just devastated a large area. Wounded nature is silent, not a single bird is heard, only the wind that makes the charred tree trunks rustle. But the vegetation recovers astonishingly fast. Where all life seemed to be gone, greenery soon sprouts from the ruined trees. The residents of the affected region are engaged in the reconstruction with great respect for their natural environment. Because plants, too, are sentient creatures. In quiet, almost melancholic, but also hopeful images, the film pays tribute to the strength of the trees and illustrates how essential it would be for humanity to learn to live in harmony with nature again. 　　Annina Wettstein 　　源自：https://www.dok-leipzig.de/en/film/tale-three-flames/programm

Sensual, facetious, satirical and mocking, François Rabelais born at the end of the 15th century, alone embodies the Middle Ages, this fertile era from which the modern world emerged, and the spirit of research, of intellectual fever of the Renaissance, its enthusiasms and its aspirations.

A young, talented but penniless tennis player attracts the attention of an ex-champion who offers to train him. He works hard to achieve his meteoric rise, but loses sight of his familiar surroundings and falls in with the wrong friends.

A bereft widow forces a Banshee to take her to the underworld to rescue her husband.

A topographer maps areas at risk of landslides in the city of Ubatuba, in a hillside region in the Atlantic rainforest. Obsessed with measuring and regularizing, he encounters a territory of chaotic human occupation and full of conflicts. The city’s history crosses his path, and through his theodolite, he sees images from the past.

暂无剧情简介

An exercise in adjusting the moving image to an interpretation of time as it is perceived within the Kiowa philosophy: a circular dialogue between the mythic, the historical, and personal reflection. 　　THE EARLY SUN, RED AS A HUNTER'S MOON follows this temporal tradition in an interpolation of Kiowa lore in excerpts from N. Scott Momaday's The Way to Rainy Mountain, a reunion in Portugal between the filmmaker and their friend after 20 years, and a historical attempt to decode a cryptic letter from 1890 with “hieroglyphic script” that arrived at Pennsylvania’s Carlisle Indian Industrial School sent from a reservation in the Oklahoma Territory to a Kiowa student named Belo Cozad. Shot on expired 8mm film, the film presents a collision of fragments of time and Kiowa memory.

Suspecting her boyfriend of cheating on her again, this time she won't let it lie.

Suspecting her boyfriend of cheating on her again, this time she won't let it lie.